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Acqua e Tecnologia, le soglie ambigue della trasparenza (titolo provvisorio)
Danza, suono e video
La trasparenza dell’acqua, analogamente a quella del dispositivo tecnologico, può sottrarsi alla percezione visiva e cognitiva, svelando la natura ambigua del mezzo. In questa prospettiva, la trasparenza non è neutralità, ma un processo dinamico che simultaneamente rivela, cela e trasforma l'esperienza attraverso improvvise soglie di opacità percettiva.
Tale concetto si estende alla dimensione acustica della ricerca, focalizzata su sorgenti sonore strettamente elettroniche. In questo contesto, la trasparenza investe direttamente la catena di amplificazione elettrica: il dispositivo tecnologico, pur restando una presenza strutturale necessaria per la diffusione del segnale, non agisce come elemento estraneo, ma si integra in modo simbiotico e quasi invisibile nell’architettura dell’ascolto.
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Acqua e Tecnologia, le soglie ambigue della trasparenza (working title)
Dance, sound and video
The transparency of water, much like that of a technological device, can evade both visual and cognitive perception, thereby revealing the ambiguous nature of the medium. Viewed from this perspective, transparency is not neutrality; rather, it is a dynamic process that simultaneously reveals, conceals, and transforms experience through sudden thresholds of perceptual opacity.
This concept extends into the acoustic dimension of the research, which focuses strictly on purely electronic sound sources. In this context, transparency directly impacts the electrical amplification chain: the technological device, while remaining a structural presence necessary for signal diffusion, does not act as an alien element. Instead, it integrates itself symbiotically and almost invisibly into the very architecture of listening.
Concept, performance, choreography and direction: Yana Harizanova
Video, concept and direction: Fabio Valle
Sound, concept and direction: Mirjana Nardelli and Francesco Altilio
Self-produced – Work in progress.
Emovere
Inside the choreographic composition, within a two-dimensional space, the body becomes the driving source of geometrical shapes and is “programmed” to animate them through video tracking. The project idea was born from the desire to develop aspects of digital animation production by connecting them with physical body movement. The main goal is to combine digital art and contemporary dance through an interdisciplinary program for students, resulting in the production of a short animated film.
Concept, design and direction Yana Harizanova Concept, design, programming, rigging, rendering, post-production Michel Schneider Choreographies and production Arianna Cima, Luca Cipolla, Diana Maurizi, Ramona Pasquarelli Sound design e-cor ensemble Supervisor Virgilio Di Giorgi Partner ISISS Teodosio Rossi, Priverno Production supported by mic-vis.de / studio for visualization Project supported by Torno Subito – Regione Lazio
2018
WAZICU - Butoh Dance Performance
En Chair et en Son aims to be a "matchmaker" between Butoh dance and acousmatic music performed on an acousmonium, organizing a multi-day festival of concerts and performances. Acousmatic music and Butoh dance share the same desire to break away from discourse and convention (traditional art in Japan, art music in the West) to reclaim the raw material of their respective arts: sound and movement. This is achieved through the exploration and analysis of their own essence, the pursuit of an organic emergence, and a shift in perception from discourse to matter, from constructed form to given form.
Music: e-cor ensemble Butoh dancer: Tina Besnard Video: Gianluca Rosato from Jump Cut Video Festival: "En Chair et en Son" Location: Conservatory "Nicola Sala" of Benevento
2017
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